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Monet, Blue Water Lilies, 1919 Monet reduced detail in his painting, including only the essence of the seen, or the impression of the reflection, water, and lily flower. The French poet Paul Claudel said: “Thanks to water, [Monet] has become the painter of what we cannot see. He addresses that invisible spiritual surface that separates light from reflection. Airy azure captive of liquid azure … Color rises from the bottom of the water in clouds, in whirlpools.”



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